Donation Amount. Min £2

East Africa

The Kenyan Section of the International Commission of Jurists (ICJ Kenya) has warned the judiciary against engaging in dialogue with the Executive saying such talks could inhibit judicial independence.

In a statement issued Saturday, ICJ Kenya Chairperson Protas Saende stated that the Judiciary must maintain its independence, especially on issues touching on the administration of justice.

He urged the Judiciary to shun participation in discussions that risk compromising its autonomy in delivering justice.

Saende said sufficient mechanisms exist in the Constitution which empowers the Judicial Service Commission (JSC) to handle complaints against the judicial officers.

“Any concerns or complaints from the Executive should be duly registered with the JSC rather than aired in public rallies, casting aspersions on the Judiciary as a whole,” he said.

The lobby stated that recent claims by Deputy President Rigathi Gachagua against Justice Esther Maina, followed by a retraction without presenting evidence, raise concerns about the Executive’s intentions.

ICJ noted that the damage caused to the judge’s reputation as a result of the Gachagua’s attacks is significant and shows a lack of commitment to a fair and unbiased discourse.

“Considering the above, we are adamant that the invitation by the Executive may not be in good faith,” the ICJ Chairperson said.

Dropped petition

Gachagua Thursday announced that he had dropped his planned petition against Justice Maina ‘for now’ after making corruption claims against her.

In a statement from his office, the DP welcomed dialogue on accountability talks between President William Ruto and Chief Justice Martha Koome.

“The Deputy President notes the current national discourse on judicial transparency and application of Article 10 of the Constitution of Kenya on the conduct of Judges and other Judicial Officers,” Njeri Rugene, his press aide, stated.

“In this regard, the Deputy President will not proceed with the matter of the petition, for now,” Rugene announced.

Gachagua’s change of tact came even as the Chief Justice indicated that she had reached out for audience with President Ruto to establish his concerns.

Koome said the Judiciary would invite Ruto to share any confidential information he holds on any judge involved in corruption even as she emphasised the need for aggrieved parties to engage through formal channels under the JSC.

Ruto launched an aggressive campaign against a section of judges in the aftermath of the November 28, 2023, Constitutional Court decision that declared the Housing Levy unconstitutionalBy Felix Okara, Capital News

Kampala, January 20, 2024 (LANA) - The Personal Envoy of the United Nations Secretary-General to Sudan, Ramtane Lamamra, affirmed that only the Sudanese are capable of stopping the fighting, stressing the need for the international community to unite its efforts to support them in order to achieve this noble goal.

   Lamamra called on the leaders of the conflicting parties to take immediate action and strong steps to end this suffering, through the diligent implementation of the cessation of hostilities agreement, which could lead to lasting peace in the country.

   “Many Sudanese have confirmed their desire to hand over power to a civilian government that will rule the country during a temporary transitional period pending elections,” Lamamra said during a speech he delivered at the extraordinary IGAD summit in Uganda regarding Sudan, explaining that he visited the region last week and met with many Sudanese who expressed the need to end the fighting, including the warring parties themselves. =Lana=

President William Ruto speaking during a meeting with Jubilee leaders at State House Nakuru on January 11, 2023.

African Development Bank and the United Kingdom (UK) have chosen Kenya as the recipient of a Ksh 9.3 billion loan for climate mitigation.

Announcing the allocation on January 19, Nnenna Nwabufo, African Development Bank Director General for East Africa, stated that the money was to be channeled to the government's last mile and power grid project. 

“Kenya is close to achieving universal electricity access with a high component of renewable energy. This represents a major milestone in both sustainable development and the mitigate against climate change,” Fwabo commented.

Termed 'Transmission Network Improvement Project', the government budgeted the project at Ksh 18.4 billion only to receive up to half the funds as a concessional loan, a deal that comes with more favourable terms that Kenya can fetch in the market.

The two organisations explained that the funds would enable the government to address existing gaps in energy transmission and achieve universal electricity access.

It will further improve the quality of life of communities in Kenya through enhanced socioeconomic development. 

Kenya, as the first country in East Africa to benefit from the program since its inception in 2022, will be joining five other North and West African countries previously selected for the funding.

So far Egypt, Tunisia, Senegal, Mauritius, and Benin have benefited.

The project, which aims at awarding Ksh 317 billion to different African countries, is funded by the United Kingdom and the City of London insurers.

"We’re working together with the AfDB and Kenya to deliver what Kenyans want and need; reliable power for reliable economic growth – all with green energy that protects the prospects of future generations," the UK high commissioner to Kenya Neil Wigan stated. 

It is expected to run up to 2027, with each country signing the loan on its terms.

So far, Kenya has received two batches of loans in 2024, with the International Monetary Fund (IMF) releasing Ksh 150 billion on January 17 and Ksh 33 billion from the Trade and Development Bank on January 19. By LOISE LENSER, Kenyans.co.ke

A fire incident has ravaged 19 shops containing 1,900 bags of assorted grains in Gombi, headquarters of Gombi Local Government Area of Adamawa State.

The incident occurred at a major grain market in the town, which lies in the northern part of the state.

The Secretary of Gombi Market Union, Mallam Umar Nyalli, said Saturday that the fire which spread to cause havoc was ignited by an unknown smoker who threw a burning stick of cigarette at a heap of waste materials close to the shops. 

Nyalli said the businesses of owners of the affected shops had now been paralysed.

“We lost bags of maize, groundnuts, guinea corn, sesame seeds, beans and tamarin fruits to the inferno,” Nyali said, calling on the government at all levels to intervene.

The state Deputy Governor, Professor Kaletapwa George Farauta, has commiserated with the traders whose goods were destroyed.

During a visit to the place Saturday afternoon, she described the incident as a collosal loss to the shop owners and great damage to the entire state in terms of revenue drive.

DAILY POST reports that the fire incident in Gombi comes only about two weeks after a wildfire outside the premises of the Federal College of Education in the state capital, Yola.

The Yola incident destroyed 10 shops.  Jim Ochetenwu, Daily Post

The Hamilton Building of the Denver Art Museum. Denver Art Museum 
 
You could be forgiven if you still haven't seen the Arts of Africa gallery at the Denver Art Museum since it opened last May, given the other fantastic shows happening on the floors below in the Hamilton Building (All StarsSoul of Black Folks) and across the footbridge in the Martin Building. But you shouldn’t wait much longer before experiencing this vastly diverse and brilliantly curated collection of artworks from across the world’s largest continent. Look at it this way: The sooner you go for the first time, the sooner you can go for a second.

It’s that kind of show. With some 800 works spanning a variety of countries, the collection draws from artistic traditions nearly as rich and diverse as the continent from which they came. It’s the kind of show where visitors can notice and learn more with each visit, where each work, from a tiny brass ring to a thirty-foot-wide quilt made from found bottle tops and copper wire, suggests a magnitude of meaning and history.

“One of the things we wanted to bring into the show is the diversity of Africa itself,” explains Director of Native Arts John Lukavic. “We have works from Egypt, from Nigeria, Ethiopia, from all over. You’ll see Islam represented, and you’ll see Eastern or Ethiopian Orthodox and Christian arts represented in the galleries. We're trying to show art in a variety of ways to show how truly diverse Africa is.”

Visitors are greeted by a familiar object upon entering the space: hand-carved hair picks from several countries, accompanied by a video and a quote from the singer Solange Knowles: “Don’t touch my hair, when it’s my feelings I wear.” The display sets an immediate tone of celebration and pride. “As we were preparing the show,” Lukavic explains, “one of the main things we wanted to get across was this concept of radical joy.”
Hair picks greet visitors to Arts of Africa.
Denver Art Museum

Lukavic collaborated with Adekunle Adeniji, the Anderman Family Fellow for African Arts, to curate the show, with support from Karuna Srikureja and Jennie Hord. “We drew on conversations and research from Denver’s African diaspora and African-American communities, and this concept of radical joy is something people wanted to see represented here,” says Lukavic. “So there’s dance, there's movement, there's music. There's a lot of activity buzzing.” 

Buzzing above the five stunning masks that hang on simple mannequins at the viewer’s eye level — rather than down near waist level, where they might be typically displayed — is footage from a Mende masquerade ceremony in Sierra Leone, showing one of the masks below as it would be seen in context: on a living, dancing person. Mixed-media choices such as these help visitors see the works before them as both artifacts of masterful craftsmanship and vital objects within living social environments, often meant to be touched or worn.

On another wall above the show reads a poignant quote from Léopold Sédar Senghor, the poet and first president of Senegal: “In Africa, art for art’s sake does not exist. All art is social.” In a Western museum, where viewers typically experience art in frames on white walls, the quote gently challenges visitors to approach the Arts of Africa collection differently — to not just observe the beauty in the works, but to imagine the landscapes, people and traditions that shaped them.

Choosing favorites from a collection like Arts of Africa almost defies part of the purpose of the show, which pushes visitors to reimagine their understanding of the role of art and to let go of traditional metrics of value. “I hate answering the favorites question because...there is so much responsibility not only to the arts that we have here and the artists who created them, but to the communities they're from,” says Lukavic. “In some of these communities, there is an inversion of aesthetics, where humility is so important that something plain and undecorated, mud-splattered, having been worn in ceremony, is more beautiful than the most highly beaded piece.”

Resisting reductive narratives — or inverting them, in some cases — is a thematic thread that weaves through the entire display, among many colorful others. While relatively small in square footage compared to the DAM’s other floors and collections, Arts of Africa is so dense with powerful works, you can’t go wrong spending extended time with any of them. But if you only have a moment on your first visit, here are a few highlights from the collection:
 

Denver Art Museum

Merikokeb Berhanu, “Untitled LXX” (2021)
Merkokeb Berhanu’s painting uses an expressionist style to depict livestock and a colorful landscape, evoking the modern and agricultural character of the artist's native Ethiopia. “We incorporate historical and contemporary arts into our spaces to show not only cultural continuity but dynamic innovation over time,” says Lukavic. “All these sorts of things and the historical works can help to contextualize the contemporary art.”
Denver Art Museum
Ngil Mask, Fang Artist (1800s)
The Fang Ngil was a secret society in the region of what is now Gabon and Cameroon; its members wore long, intimidating wooden masks and served as the surrounding tribe’s judges and police. One of the rarest and most valuable pieces in the collection, the Ngil mask evokes age-old questions about authority in pre-colonial Africa. French colonialists outlawed the Ngil in 1910, and the society all but disappeared.
Denver Art Museum
Mende artist, Sowei Mask (Late 1800s)
Stunningly animated up close, this wooden ceremonial mask carved by a Mende artist conveys the mischief and whimsy of masquerade rituals, which blur the lines between authentic and fabricated identity.
Denver Art Museum
El AnatsuiI (Ewe) “Rain Has No Father?” (2008)
Another contemporary work, the artist El Anatsuil uses copper wire and found bottle caps to reimagine traditional weaving styles and colour palettes. The massive piece hangs above the show, leading viewers to notice its references and connections to other traditional works around it.
“In this space, in this context, we're able to show the work that reflects the philosophies and ways of knowing and being and seeing that are specific to Africa and African diaspora without only placing it in a colonial context,” reflects Lukavic.

By approaching each piece as a reflection of its own context, the Arts of Africa gallery allows the art to speak for itself, on its own terms. You'll likely find yourself returning to the gallery; it takes more than a single visit to hear all it has to say.

Find more information and get tickets at denverartmuseum.org. WestWord

About IEA Media Ltd

Informer East Africa is a UK based diaspora Newspaper. It is a unique platform connecting East Africans at home and abroad through news dissemination. It is a forum to learn together, grow together and get entertained at the same time.

To advertise events or products, get in touch by info [at] informereastafrica [dot] com or call +447957636854.
If you have an issue or a story, get in touch with the editor through editor[at] informereastafrica [dot] com or call +447886544135.

We also accept donations from our supporters. Please click on "donate". Your donations will go along way in supporting the newspaper.

Get in touch

Our Offices

London, UK
+44 7886 544135
editor (@) informereastafrica.com
Slough, UK
+44 7957 636854
info (@) informereastafrica.com

Latest News

Sudan denies using chemical weapons after US imposes sanctions

Sudan denies using c...

Measures against Sudan will include limits on U.S. exports and U.S. government lines of credit and w...

UN rights chief urges Uganda's president to reject bill allowing military trial of civilians

UN rights chief urge...

GENEVA UN human rights chief Volker Turk on Friday called on Ugandan President Yoweri Museveni to re...

Mudavadi urges diplomatic calm amid rising Kenya-Tanzania tension

Mudavadi urges diplo...

Mudavadi reassured that the matter had been resolved amicably through diplomatic channels and cautio...

Kalonzo challenges Ruto over claims of meeting him

Kalonzo challenges R...

Wiper Party leader Stephen Kalonzo Musyoka at a past function. PHOTO/https://www.facebook.com/kalon...

For Advertisement

Big Reach

Informer East Africa is one platform for all people. It is a platform where you find so many professionals under one umbrella serving the African communities together.

Very Flexible

We exist to inform you, hear from you and connect you with what is happening around you. We do this professionally and timely as we endeavour to capture all that you should never miss. Informer East Africa is simply news for right now and the future.

Quality News

We only bring to you news that is verified, checked and follows strict journalistic guidelines and standards. We believe in 1. Objective coverage, 2. Impartiality and 3. Fair play.

Banner & Video Ads

A banner & video advertisement from our sponsors will show up every once in a while. It keeps us and our writers coffee replenished.